acoustic sightlines was created using techniques created in Cooney's teaching practice, Dynamic Expansion called "moveable cinema". The score for the work was collectively decided upon. The score mapped meetings and interactions between the three dancers who were at all times engaging in the process of seeing/viewing and examining the visual field. Sandra Baltterer edited a video shot by Shannon Cooney a perpetual sunlight reflection, and Anke Eckardt uses a high-density microphone to pick up the real-time sounds of the space and amplifies them.