EDUCATION
Timeline | Description |
---|---|
2021-2022 | ELDOA –Trainer. Somatrainng and Manual Etiotherapy Instsitte |
2013-2014 | Berlin Heilpraktiker Schule |
2006-2009 | Susan Klein Technique; Teacher Hanna Hegenscheidt, Berlin. |
2007-Present | Mentored by Joanna McIntyre, Expanded Consciousness |
1995-Present | Cranio Therapy with Robert Harris, Level 1 + 2, and Teacher’s assistant, The Cranial Therapy Centre Toronto. |
1998 | Craniosacral Therapy, Upledger Level 1- Upledger Institute. |
1994-2006 | Professional Training with Dancemakers Company:Serge Bennathan, Peter Boneham, Katherine Duncanson –voice. |
1994-2006 | Dianne Miller Pilates and from 2003-Present Pilates teacher training. |
1992 | Completed Bachelor of Fine Arts Honours – Dance York University, Toronto. |
CHOREOGRAPHY
Date | Description |
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2022 | Fluid Resilience outdoor version, Jan Burkhard, S Cooney, Sigal Zouk, farº Nyon Festival, Switzerland |
2020 | Fluid Resilience, co-created with Jared Gradinger + Sigal Zouk, light Emese Csornai, Sound M.Hlady, Open Spaces, Berlin |
2018 | Fielding: Solo with Cases performed by S.Cooney, Sound Cases and Scores Marla Hlady, sound by M.Hlady with Eric Chenaux, Somatiche Akadamie Berlin. VULVA KLUB berlin 12.2018 |
2017 | Fielding performed by S.Cooney, A.Grant, J. Mühle, C. Tomasi, Scores by Marla Hlady, Sound by M.Hlady and Eric Chenaux, Dramaturgy Igor Dobricic, Light Emese Csornai, Tanzfabrik Berlin. |
2016 | Taste of Freedom commissioned and performed by members of the Minoga Dance Company, the Boris Yeltsin Centre Ekateringburg, Russia. |
2016 | 100 Mini-Operas performed by S.Cooney, curated and presented by Reckless Abandon, 3AM Flutgraben Berlin |
2013 | every one every one performed by S.Cooney Tanzfabrik Berlin, 2014-Echo Echo Dance Festival, Derry N.Ireland, 2015-Canada Dance Festival, 2015 re-mount performance Tanzfabrik Berlin. |
2012 | Acoustic Sightlines performed by S.Cooney, S. Frandsen, M. Gabriel, commissioned by TANZNACHT and ADA Studios Berlin, Sound Anke Eckardt, Light Sandra Blatterer |
2011 | Assemblages performed by S.Cooney with co-creator Sabine Vogel, Tanzfabrik, Uferstudios Berlin. |
2009 | Trust me performed by S.Cooney, commissioned by „The Word is Moving“ Cuirt Festival Galway Ireland. In 2010 Lange Nacht des Theater, Tanzfabrik Berlin. |
2009 | Spiral Pendulum: dance durational performance/video installation, York Quay Gallery Toronto, ON, and ADDK Berlin. |
2008 | Wax and Wane and Schlaftoeter commissioned and compositions by Alex Novitz and Sabine Vogel, fabrik Potsdam. |
2008 | at Table performed by S.Cooney solo durational performance, Hub 14 Toronto. |
2007 | Radiowave performed by S.Cooney commissioned by TanzTage fabric Potsdam. |
2005 | Like Love to Gravity, Dancemakers, performed by S.Cooney, A.Denham, L.Swan, Compposer JM. Sherlock, Toronto. |
2004 | Imperfect Parallel a group piece performed by Le Groupe Dance Lab, Ottawa. |
2003 | Good Night Josephine performed by S.Cooney + R. Abubo music/lyrics Gord Downie, D.Morningstar, Le Groupe Ottawa. |
2003 | Of the First Water performed by S.Cooney, Composer S. Parkinson, DanceWorks, Toronto. Firehall Vancouver. |
2002 | Written in the Body commissioned and performed by Company Blonde, Firehall Vancouver, Dancemakers Toronto. |
2000 | Five Minute Window commissioned and performed by Company Blonde, fFIDA festival Toronto, music D. Morningstar. |
1999 | Woollen performed by K.Alton, J.Aplin, C.Woods, music Ernie Tollar, DuMaurier Theatre Toronto. |
1998 | Underbrush performed by S.Cooney, Hazelton Gallery, Toronto |
1997 | Hear my Love Commissioned and performed by Dancemakers, Toronto |
1996 | Stephanie Spinning, in David Duclos’ The Book of Thoht theatre, dance, poetry, music collaboration Theatre Centre, Toronto, Oval theatre and Oxford theatre England. |
1996 | Islay performed my M-J. Chartier, R.Glumbek, C.Woods, Dusk Dances, Toronto and 1998 Canada Dance Festival Ottawa. |
COLLABORATIONS: AS DANCER and/or PERFORMER
Date | Description |
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2022/23 | The River Public in Private, Clément Layes choreographer, Berlin. |
2022 | SWAY, Come Meet Us - Open House - Blind Date. Zero Point Berlin, Shannon Cooney, Doug Weiss and Mariana Carvalho, Curated by: Descha Daemgen, Abraham Hurtado and Meg Stuart |
2019 | Failure as Practice Darko Dragicevic, performed by S.Cooney and C. Ciupke, Open Spaces, Tanzfabrik Berlin. |
2018 | A Piece you remember to Tell a Piece you Tell to Remember Silke Bake and Peter Stamer, Tanznacht Berlin. |
2012 | Exposé performed by S.Cooney + A.Posch durational performance by Heidi Sill, Kunstverein Tiergarten, Berlin. |
2010 | Social Balance Research Photography/performance series, with Artist Signe Theill, Made in Berlin, Arsenal, Berlin, Neuen Sächsischen Galerie Chemnitz Germany. |
2008-2012 |
Gulliver Dreaming video installation with Signe Theill, Hellerau-Dresden, Europäisches Zentrum der Kunst, 23.Stuttgarter Filmwinter. 2010 Festival for Expanded Media, in 2012”AUFBRUCH” Galerie Thron, Reutlingen. |
2008 | Curtain Machine installation site-specific performance by visual artist Marla Hlady, Berlin. |
2007 | Untitled Solo Choreographer Benoit Lachambre, LaborGras Berlin. |
1994-2006 | DANCEMAKERS dance company danced full-time in 16 creations with artistic Direction Serge Bennathan. International repertory touring, as well performing works by Yvonne Coutts, Marie-Josée Chartier, Claudia Moore, Susanna Hood, and Julia Sasso. |
2000-2006 | Platform 33 as Co-Artistic Director and performed works by Louise Bedard; Seven Ways to Tell Time, Kim Itoh; Shelf Life, Damien Munoz L’Avenir, la Chapelle, Montreal, DanceWorks Toronto. |
2003 | YANG Choreography Peggy Baker, Choreographers’ Trust, Betty Oliphant, Toronto. |
2002-2003 | disconnected series of utterances choreographer Lesandra Dodson, Performed by S.Burpee, S.Cooney, J.Aplin. |
1998 | WIND choreographer Bill James, performers S.Cooney, R.GLumbek, Y.Ng, R.Abubo, S. Elton, Warehouse, Toronto. |
1998 | In Dreams choreographer Juila Sasso for Dancers for Life Toronto, S. Cooney, K. Cunningham, G.Tai, G. Tretham. |
1996 | Figures in Stillness and in Motion choreography Marie-Josée Chartier, DuMaurier Theatre,Toronto. |
TEACHING
Date | Description |
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2006-currently | Damaged Goods/Meg Stuart, Tanzfabrik-Berlin, Sasha Waltz and Guest’s, HZT-University Berlin, Toula Limnaios, LaborGras, SMASH Intensive, and ROAR Intensive, Somatiche Akadamie Berlin, fabrik Potsdam, Le Pacifique CDC-a Grenoble, CND, Lyon, France, Circuit-Est, Concordia University, Montreal, P.A.R.T.S., Raffiniere, Brussels, Belgium. York University, Dancemakers, Toronto Love-In, Toronto, Ottawa Dance Directive, Working Class, Vancouver, Dance House Dublin, Ireland, ImPulsTanz, Tanz Quartier Vienna, Austria, Weld Company, Cullberg, Danscentrum,, SKH Stockholm, Danscentrum Syd, Sweden, Mimar Sinan Universtiy, Barefoot Dance company Istanbul, Dansehallerne Copenhagen, and Bewegungsraum, and K3 Hamburg. |
2022-currently | Private teaching ELDOA Certified Trainer. |
2003-2006 | Teaching Pilates mat work, in the Pilates Method. |
1997-2006 | Teaching professional company class DANCEMAKERS, Leading residency classes/workshops in national and international tours with DANCEMAKERS. |
CREATIVE FACILITATION/ MENTORING/ CURATORIAL WORK
Date | Description |
---|---|
2023 | Co-Curating and direction HIVE Artists Residency far* Nyon, Switzerland June 2023 |
2021/22 | External Mentor for Master's Candidate Can Bora, ArtEZ University of the Arts |
2021/22 | Mentoring HZT Berlin BA Dance Student 2 semesters, Dasha Belous |
2021 | Creative Facilitation for Reclaiming Attention 3-week virtual residency, hosted by Ottawa Dance Directive |
2020 | Curating HIVE Co-Creative Residency Farm Studios Rajasthan India |
2020 | Dance Artist Lesandra Dodson, Professional Development Grant Canada Council for the Art, postponed due to corona |
2019 | Dance Artist: Alison Denham Professional Development/movement research with Grant from the BC Arts Council. |
2018/19 | For Choreographers Jared Gradinger and Angel Schubot, The Nature of Us performance HAU 2 Theatre Berlin. |
2019/22 | Choreographer performer: Francesca Pedulla movement research Parallel Lines of Inquiry project. |
2018 | Director singer, performer: Wälli Hofinger for production But Not Songs. |
2017 | Louis Leberge Coté, during his teaching-practice focused MA in Berlin. |
2015/16 | Choreographer Performer: Josephine Evrard, for production The Root. |
2014/16 | Dancer/teacher: Robert Kingsbury teaching practice research, Ontario Arts Council grant. |
2013/15 | Dancer/teacher: Paula Monticinos dance practice development, Chilean Cultural funding |
2012 to present | Creative facilitation and mentoring for choreography and dance students at HZT University of Art Berlin. |
2011 | Circus Artist: Romy Seibt solo Rope dance, Berlin. |
2010 | Kondition Pluriel choreographer Marie-Claude Poulin, for I’interior, The Society for Arts and Technology [SAT] and Agora de la danse, Montreal. |
2010 | Circus Artist: Anke Van Engelshoven, duet and solo performances, Berlin. |
2008/09 | Choreography/artistic advisor My LIFE original production Varieté- Chamäleon Theater, Berlin |
AWARDS/GRANTS/CO-OPERATIONS
Date | Description |
---|---|
2022/23 | Berlin Senat Tanzpraxis Stipenduim, 18 months for dance practice deepning |
2022 | Berlin Senat Reisezuschüsse für Auslandsvorhaben, Fluid Resilience, Gastspiel far Nyon |
2022 | Internationals Performance Netz, Gastspiel Fluid Resilience-far Nyon |
2022 | Dis-Tanz Solo, dance project integration of new modalities in teaching practice |
2020 | GRANT Canada Council for the Arts: Special Initiatives Canada in Germany, Berlin Premiere Fluid Resilience |
2019 | Selection for Canadian Wilderness Artist Residency Yukon Rover 2019 |
2019 | Dance Ireland Dance House Dublin, 2-week residency research funding |
2017 | The Canada Council for the Arts: Short Term Production Grants Dance for Fielding |
2015 | Berlin Senat Wiederaufnahme (Remount) production for every one everyone |
2013 | The Canada Council for the Arts: Short Term Production Grants Dance for every one everyone |
2013 | Hauptstadtkultur Fonds (Berlin Capital City Funding) Project grant for every one everyone |
2010 | Canada Council for the Arts Production Grants, Dance for Assemblages. |
2010 | Kuenstlerhaus Lukas, Ahrenshoop Germany, Stipendium for Assemblages |
2008, 2007, 2002, 2001 | Grants to Choreographers Project funding Toronto Arts Council. |
2008, 2006 | Canada Council for the Arts Professional Development Grants |
2006 | Ontario Arts Council, research and development for at Table and Spiral Pendulum: dance. |
2002 | Chalmers Professional Development Grant, Ontario Arts Council |
2000-2006 | multiple grants for Platform 33, Canadian Dance Collective; Canada Council for the Arts production, Japan-Canada Fund, Laidlaw Foundation, Toronto Arts Council, Ontario Arts Coun |
1998 | Laidlaw Foundation production grant Woollen |
1998 | Ontario Arts Council production grant Woollen |
1996 | Dora Mavor Moor Award for Best Performance, Serge Bennathan’s Les Arbres D’Or |
1991 | York University, Faculty of Fine Arts: Dean’s Award for Excellent in Performance |